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20121225
20121225
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're not just a bureaucratic agency. we have sensitivity. we have people who work for us who are supposed to be there helping protect these people. it really broke through new ground for us. >> let's take another question -- it is great to have these kind of specifics. go ahead and identify yourself -- >> i am an international baccalaureate. thank you for your comments and you have a lot of wisdom and forgiving as a glimpse into the human side of things. with as many women who have reached panicles of their career and for those like yourself, is there a new path beyond that? once you reach the pinnacle, what can we expect to see of women who have accomplished a lot? do you retire into personal life or is that there are some other pathway once they leave their position? >> what are you going to do next? >> the women i have come across have -- who have also reached those high platitudes, they continue to be active, for the most part. i think this new environment, be it political or social environment has changed. people want to do more. sometimes people will do it as volunteers. want to be
to this story. >> what was amazing to us and what was relevant is the idea that nowhere on american television had a returning soldier returning from war been portrayed. and obviously in very circumstances in the case of our character, but that was something that really interested us but it felt like a good way to dramatize a lot of the questions we answered on "24" in a more knew answer fashion ten years after 9/11. a lot of questions that weren't clear then are even more complex now. what do we have to be afraid of? what's the price of our security? and these are the characters we created to ask those questions. >> and michael, with "the queen" what prompted that? decpwhrit came from another deal. it was a trilogy of films. the deal was a film made for british television about the supposed deal that was made between tony blair and brown before they got into power with the labor party. and the deal, the first one came along at a time when the idea of portraying very prominent public figures certainly within the realm of politics nobody did that unless it was sketch shows, comedy that kind of
. then sam jackson's character comes in and using torture and the whole film is about me being tortured by sam jackson and pushing you to see how far everybody concerned is prepared to go to get the information out of him. it was an incredibly difficult film to make for me. i remember one of the first days of the torture thing which is is something where i was chained to the ceiling and hosed down with water with fans blowing on me. and i said how are we going to do this and they said we're going to do it but not for very long. that set up a precedent for the hole film. that was a very frightening thing to go through. a point you brought up which is the idea that people's desire to be involved in helping the imaging of this completely depends on what they believe is how they are being portrayed in it. and that gets very complicated. >> it's a public they report they are trying to not to get in trouble. there are agencies who are better or less. >> i think mueller believed in the idea which he sort of watched the c.s.i. effect. c.s.i. created more interest in people going into coronaries
Search Results 0 to 2 of about 3